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Frank Montuoro has worked on guitars used by Bob Dylan, Joni Mitchell, Neil Young, and Peter Frampton to name a few. [learn more]

 

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FEATURED GUITAR 2.08

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Style 4 Special "The Hammer"

This Style 4 is one of the biggest guitars I have built to date. The overall depth of this guitar is just shy of a dreadnought's, which is especially deep for my style of building. The aspects that make it "special" are its Brazilian Rosewood back and sides and Bear Claw sitka top. We kept the ornamentation simple. A small amount of ivroid and wood purfling sets it off. This instrument is a good example of what I can build that, while not an exact historical representation of a pre-war instrument as far as aesthetics are concerned, retains the tone of a pre-war guitar.

This guitar's nickname, "The Hammer," is very well suited. It has a truly gigantic and robust sound, full of harmonic overtones that last for days. I would dare to say this guitar can hold up next to any pre-war rosewood dreadnought or instrument of equal size. In fact I have a 17" Larson Bros-made Prairie State in my shop, and the comparison is quite astounding. This guitar possess every bit of what people are looking for in pre-war rosewood dreadnoughts. It will be heard over banjos, mandolins, and any nearby explosions. "The Hammer" has a string spacing slightly wider than 1-5/8" with a bridge spacing of 2-1/8". The scale length is my mainstay these days of 25.6" which helps add to the power and sustain. The headstock shape is my simple "crown" with the Montuoro Guitar Co. pearl dot logo.

The soundhole has been enlarged from 3-7/8" to 4-1/8". It is amazing how enlarging the soundhole by just 1/4" allows the sound to blossom. In theory we are pushing the soundhole even closer to the center of the X brace, similar to what is referred to as "forward bracing". I admit this kind of tone may be way too much for some people. Oddly enough this guitar was built for someone who doesn't even use a pic but wanted a larger guitar. Played finger-style it also excels, although it may be too large for most traditional finger-style players. If your playing style is similar to that of Tony Rice, John Carlini, or Bryan Sutton look no further. In fact, I invite them as well to see for themselves.

Frankie Montuoro
2.08